How to Nail Every Voiceover Audition: Tips for Being "Buttoned Up" and Broadcast Ready

Let me be real with you: casting teams fly through hundreds of auditions per role, and a lot of files get skipped in the first few seconds.

If you want to be the talent they actually keep listening to, it’s usually three things:

1) Follow the instructions (exactly)

This is the fastest “yes/no” filter.

• If they want 2 takes, don’t send 1 or 4.

• If they want MP3 44.1kHz, don’t upload WAV “because it’s better.”

• If they want a specific file name or slate, do it verbatim.

• If they want it labeled a specific way - do it the way they ask.

• If there’s a pronunciation note, match it. No freelancing.

If you ignore the brief, you’re basically telling the client you’ll ignore direction later. Easy pass.

2) Submit broadcast-quality audio (your audio is your resume)

You don’t need a $3,000 mic. You do need audio that doesn’t distract.

Non-negotiables:

• Quiet space (no HVAC, traffic, computer fan)

• Minimal room tone / echo (treatment beats gear)

• Clean levels (no clipping, no wild volume jumps)

• Light editing (tight, natural, not “surgically dead”)

• Specs match the brief (format, sample rate, etc.)

Pro move: put your best take first. A lot of people never get a second chance.

3) Be a pro (make them trust you)

Professional doesn’t mean stiff—it means reliable.

• Communicate clearly, don’t over-explain

• Hit deadlines, label files correctly, don’t make the team chase you

• Keep takes intentionally different only if requested

• Treat auditions like paid sessions (because that’s how you book)

Quick pre-submit checklist

• Did I follow every instruction?

• Does this sound broadcast-ready in headphones?

• Is my strongest take first?

• Is the file named/formatted exactly right?

Key and important tips to make sure you always put your "best foot forward" when auditioning. 

• AJ